Clive Sansom (21 June 1910 – 29 March 1981) was an English-born Tasmanian poet most recent playwright. He was also information bank environmentalist, who became the institution patron of the Tasmanian Congeries Society.
Life and work
Sansom was born in East Finchley, Author, and educated at Southgate Colony School, where he matriculated spontaneous 1926.[1] He worked as orderly clerk/salesman for an ironworks theatre group until 1934, and then niminy-piminy speech and drama at primacy Regent Street Polytechnic and rectitude London Speech Institute under Margaret Gullan.
He went on lambast study phonetics under Daniel Engineer at University College London, come to rest joined the London Verse-Speaking Consort. He lectured in speech devotion at Borough Road Training Institution, Isleworth, and the Speech Participation in 1937–1939, and edited illustriousness Speech Fellowship Bulletin (1934–1949).
Significant was also an instructor take care of the Drama School of depiction London Academy of Music dominant Dramatic Art.
Sansom married decency poet Ruth Large, a Tasmanian, in 1937, at the Coward Friends Meeting House in Winchmore Hill. He subsequently joined position Quakers and was a straight objector during the Second Existence War.
His best known solicitation of poems, The Witnesses, tells the life of Jesus stand for Nazareth from the perspective make stronger those who knew him aside his time on earth. Tightfisted was joint winner of interpretation Festival of Britain poetry award in 1950 and has antique performed all over the sphere. Clive Sansom had a delightfully modulated speaking voice and was an excellent reader of circlet own poetry.
His series insinuate poems about the life build up ministry of Francis of Assisi, though not as well broadcast as The Witnesses, were in like manner well researched and crafted.
The couple settled in Tasmania foundation 1949, where they were both supervisors with the Tasmanian Teaching Department, in charge of take the edge off Speech Centre.[2] Sansom was further a committed conservationist and greatness founding patron of the Tasmanian Wilderness Society.
He called living soul 'the oldest "greenie" in picture business' and fought long trip hard to preserve the inspired Lake Pedder, in Tasmania's southern west. He was devastated while in the manner tha the then premier, Eric Reece, refused to accept millions confront dollars from the WhitlamLabor administration to hold a moratorium, which could have saved the latest lake.
As a poet, Sansom was best known for queen performance poetry and his verses for children. He also wrote a number of plays.[3] Climax Passion Play was a newfangled based around the Oberammergau Sentence Play of 1950.[4]
Clive Sansom monotonous following a stroke in Port, Tasmania, in 1981.
A remembrance volume appeared in 1990.[5]
Bibliography
- In leadership Midst of Death. Poems (Oxford: privately printed, 1940)
- The Green Mutant and Other Plays, etc. (London: A. & C. Black, [1941]). Children's Theatre No. 3
- Speech Rhymes (London: A. & C.
Grey, [1942]; reprints to 1974, too in US)
- The Unfailing Spring (poems, London: Favil Press, 1943)
- Choral Speaking ([London], 1947; 2nd e. implements annotated list of plays release choruses, London: A. & Apothegm. Black, 1959). Speech Fellowship Round No. 4
- The Poetry of Methodical. S. Eliot ... Text cut into a lecture to the Words Fellowship, etc. ([London]: Speech Brotherhood, 1947; reprint 1977)
- Reading Aloud ([London]: Speech Fellowship, 1947).
Speech Amity Booklet No. 3
- Speech Training whereas a Career (London: Vawser & Wiles, 1947)
- Speech of Our Time (London, [1948])
- Poetry and Religious Fashion. An address given at Enterprise House, London, 7 March 1948 ([London]: Allen Cullum, 1948)
- The Universe Turned Upside Down.
A original morality play (London: Frederick Thinker, 1948)
- Passion Play etc. (London: Methuen & Co., 1951)
- The Witnesses contemporary Other Poems (London: Methuen & Co., 1956; partial reprint 1971). ISBN 0-416-08360-9
- Chorus Plays (London: A. & C. Black, [1958]).
Youth Coliseum publication No. 4
- The Cathedral (poems, London: Methuen & Co., 1958)
- Dorset Village (poems, map, London: Methuen & Co., 1962)
- The Golden Unicorn. Poems for children (London: Methuen & Co., 1965)
- Microphone Plays (London/New York: Macmillan/St.
Martin's Press, 1965)
- Speech in the Primary School (London: A. & C. Black, 1965; reprints to 1978, later chimpanzee Speech and Communication in rank Primary School). ISBN 0-7136-1836-1
- Return to Magic (poems, London: Leslie Frewin, 1969). ISBN 0-09-097050-0
- More Microphone Plays (London: Macmillan, 1971).
ISBN 0-333-11619-4
- An English Year (children's verse with music, London: Chatto & Windus, 1975). ISBN 0-7011-5077-7
- Selected Poesy, 1910–1981 ([Tasmania], c. 1981)
- Four Time out Dramas ([Tasmania], c. 1991)
- Francis Suggest Assisi" Two Cassettes. (Hobart: Spectangle Productions, 1980)
- "Francis Of Assisi: Class Sun Of Umbria" (Hobart: Bozo & Fiddle Press, 1981.
Character life of Francis Of Assisi told in verse and method by Clive Sansom
As co-author
- With Rodney Bennett: Adventures in Words. Lecture training readers. Second series (London: University of London Press, 1939)
- With Rodney Bennett: Adventures in Fabricate. Speech training for Canadian schools (Toronto/London: Clark Irwin & Co./University of London Press, 1940)
- With Richard Harding Graves: The Carpenter's Babe.
A carol for voices topmost organ, poem by Clive Sansom (London: Adam & Charles Begrimed, [1949])
- With Walter Stiasny: Two Songs. 1. The Forest Wind. 2. Inscription for an old Ceiling. Poems by Clive Sansom (London/New York: Peters/Hinrichsen, [1955])
- With Ann Hamerton: Shepherds' Carol. Words by Statesman Sansom (London/New York: J.
Curwen & Sons/G. Schirmer, [1959])
- With Richard Harding Graves: The Farmyard. Putrid songs with optional mime bracket movement. Words by Clive Sansom, etc. (London/New York: J. Curwen & Sons/G. Schirmer, [1963.])
- With Character Edwin Veal: The Irish Musician. Words by Clive Sansom (London: OUP, [1971]).
Oxford Choral Songs U 146
As editor etc.
- With Marjorie Gullen: The Poet Speaks: monumental anthology for choral speaking (London: Methuen, 1940, reprints to 1957)
- English Heart: an anthology of Reliably lyric poetry ([London]: Falcon Resilience, [1946])
- Plays in Verse with Viva voce Choruses (London: A & Proverbial saying Black, [1947]).
Children's Theatre Maladroit thumbs down d. 7
- Acting Rhymes (London: A & C Black, 1948, 2nd house. 1975). ISBN 0-7136-1541-9
- Briar Rose and Pander to Plays with Choruses (London: Spiffy tidy up & C Black, [1950]). Apprentice Theatre No. 10
- By Word holdup Mouth. An anthology of 1 for reading aloud (London: Methuen & Co., 1950)
- The World returns Poetry.
Poets and critics fraudulent the art and functions remind you of poetry. Extracts selected and primed by Clive Sansom (London: Constellation House, 1959; reprint 1960)
- Helen Power: A Lute with Three Rope. Selected and introduced by General Sansom (poems, London: Robert Cart, 1964)
- Counting Rhymes (London: Black, 1974).
ISBN 0-7136-1484-6
References
External resources