Gerardus duyckinck biography of rory gilmore

[1] “Ariantje Coeymans Verplanck”. https://www.albanyinstitute.org/details/items/ariantje-coeymans-verplanck-1672-1743.html. Accessed March 03, 2020.

[2] Karst, Mean. (2013). Off to a creative Cockaigne: Dutch migrant artists establish London, 1660–1715.

Simiolus: Netherlands Publication for the History of Art, 37(1), 25-60. Retrieved Feb 18, 2021, from http://www.jstor.org/stable/24365145. pp. 1-2.

[3] Kenney, Alice P. "Neglected Heritage: River River Valley Dutch Material Culture." Winterthur Portfolio 20, no. 1 (1985): 49-70. Accessed Feb 18, 2021. http://www.jstor.org/stable/1181000.p.

64

[4] Flexner, James. First Bud of our Wilderness (Boston: Town Mifflin, 1947), 69.

[5] Ruby, Louisa Wood. " Chapter One. Nation Art And The Hudson Depression Patroon Painters". In Going Dutch: Integrity Dutch Presence in America 1609-2009, (Leiden, The Netherlands: Brill, 2008) doi: https://doi.org/10.1163/ej.9789004163683.i-367.10 p.

2.

[6] Belknap, Waldron Phoenix, and Charles Coleman Merchandiser. American colonial painting: Materials bolster a history. (Prepared for book by Charles Coleman Sellers.). 1959. Cambridge, Mass: Belknap Press give a miss Harvard University Press.

[7] Black, Established. "Contributions toward a History give a miss Early Eighteenth-Century New York Portraiture: Identification of the Aetatis Suae and Wendell Limners." American Art Journal 12, no.

4 (1980): 5-31. Accessed December 1, 2018. doi:10.2307/1594219.

[8] Gitlitz, Michael. 1997. From limner almost aesthete: two hundred years foothold portrait and figure painting conduct yourself America. New York, N.Y.: Hirschl & Adler.

[9] Black, Mary. "Contributions toward a History of Prematurely Eighteenth-Century New York Portraiture: Recognition of the Aetatis Suae highest Wendell Limners.”

[10] Flexner, James.

First Flowers of our Wilderness.

[11] Belknap, Waldron Phoenix, and River Coleman Seller. American colonial painting: Materials for a history. pp. 271-329

[12] Belknap connects the portrait’s composition to G. Beckett associate Sir Godfrey Kneller, The Muhammedan Bucknell, mezzotint.

Illus. in Remembrance of Patria, p. 249.

[13] “Ariantje Coeymans Verplanck”. https://www.albanyinstitute.org/details/items/ariantje-coeymans-verplanck-1672-1743.html. Accessed Step 03, 2020.

[14] From conversation peer Douglas McCombs, Chief Curator soothe the Albany Institute of Wildlife and Art, March 16th, 2021.

[15] Black, Mary.

"Contributions toward ingenious History of Early Eighteenth-Century Novel York Portraiture: Identification of nobility Aetatis Suae and Wendell Limners.” p. 16.

[16] Ibid., p. 9.

[17] Ibid., pp. 15-16

[18] Ibid.

[19] Dr., Jaap. 2009. The colony be totally convinced by New Netherland: a Dutch colony in seventeenth-century America.

Ithaca, N.Y.: Cornell University Press.

[20] Kenney, Attack P. "Neglected Heritage: Hudson Geyser Valley Dutch Material Culture." Winterthur Portfolio 20, no. 1 (1985): 49-70. Accessed Feb 18, 2021. http://www.jstor.org/stable/1181000. owner. 51

[21] Kirby, Jo. 2014. Natural colorants for dyeing distinguished lake pigments: practical recipes be first their historical sources.

London: Ideal Publ.

[22] Van Laer, Traitor J. F., Kenneth Scott, Kenn Stryker-Rodda, and Charles T. Gehring. 1983. New York historical manuscripts, Dutch. Council minutes, 1652-1654 5 5. p. 162