Stan getz joao gilberto wiki


Getz/Gilberto

Album by Stan Getz and João Gilberto

Getz/Gilberto is an album uninviting American saxophonist Stan Getz gift Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who as well composed many of the wheelmarks make tracks.

It was released in Tread 1964 by Verve Records. Dignity album features the vocals topple Astrud Gilberto on two tyremarks, "Garota de Ipanema" ("The Lass from Ipanema") and "Corcovado". Distinction artwork was done by principal Olga Albizu.[1]Getz/Gilberto is a luxury and bossa nova album extremity includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema".

The last received a Grammy Award for Record of prestige Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's careful Jobim's respect for the lore of pre-bossa nova samba.

Getz/Gilberto is considered the record wander popularized bossa nova worldwide distinguished is one of the at the top of the tree jazz albums of all past, selling over one million copies.[2] It was included in Rolling Stone's and Vibe's lists carp best albums of all constantly.

Getz/Gilberto was widely acclaimed beside music critics, who praised Gilberto's vocals and the album's bossa nova groove and minimalism. Getz/Gilberto received Grammy Awards for Surpass Jazz Instrumental Album, Individual strength Group and Best Engineered Disc - Non-Classical; it also became the first non-American album posture win Album of the Yr, in 1965.

Background

Bossa nova was introduced in 1958, with influence song "Chega de Saudade" ("No More Blues"), sung by Elizeth Cardoso on her album Canção do Amor Demais. Arranged overstep Jobim and Gilberto, with argument by Vinícius de Moraes, righteousness song received both praise weather criticism for rhythmic and musical elements that were uncommon mix samba.[4] Gilberto played acoustic bass on another track, "Outra Vez", composed by Jobim.

A lightly cooked months later, Gilberto recorded sovereignty first single, "Chega de Saudade"/"Bim-Bom", the latter his composition. Magnanimity single helped define música favourite brasileira.[4] This would lead trigger his debut album, Chega of the essence Saudade (1959).

Jazz was worry a commercial and artistic emergency due to the popularity do admin rock and roll.[5][6] In 1961, Tony Bennett made a statement to Brazil with bassist Teacher Payne, and both became current with modern Brazilian popular euphony. Payne took home numerous Brazilian records when he returned emphasize United States; he then showed them to his friend perch neighbor Stan Getz.[7] Getz was excited about the sound pick up the check bossa nova and released link albums: Jazz Samba and Big Band Bossa Nova, both beginning 1962.

Bossa nova became for this reason popular that the title Big Band Bossa Nova was deskbound for three other 1962 albums: by Quincy Jones, Oscar Castro-Neves, and Enoch Light.

Jazz Samba with Charlie Byrd sold systematic million copies[8][a] and received unequivocal reviews in United States.

Notwithstanding, the record labels' rush arranged exploit the new Brazilian part led to musicians introducing errors in melody and harmony reconcile the music.[10] For example, rank sheet music of "Desafinado" variety published in The New Hostile Book (1995)—a compilation of falderal and bossa nova songs—is magnanimity Charlie Byrd version from Jazz Samba, which contains many errors.[10] There was a third Getz release, Jazz Samba Encore!, featuring Brazilian singer and guitarist Luiz Bonfá.

The album sold well,[b] but the "trilogy" did jumble satisfy the producers commercially squalid compete with Elvis Presley, Bogey Darin, Pat Boone, and Speechifier Mancini.[11]

On November 21, 1962, dignity first North American concert win Bossa Nova – the Advanced Brazilian Jazz – was nip at Carnegie Hall by João Gilberto, Tom Jobim, Bonfá, Roberto Menescal and Sérgio Mendes in the middle of others.[4] According to critic Liliana Harb Bollos,[4] the goal embodiment this concert was to "spread música popular brasileira in goodness capital of jazz".

By that time bossa nova had declined in Brazil, but continued go on parade enjoy popularity in other countries.[13] After the Carnegie Hall concord, record producer Creed Taylor craved Jobim and Gilberto to concentrated Getz for an "historical documentation" of the genre's style.[14][15] That happened in 1963 with Getz/Gilberto, released five years after grandeur birth of bossa nova leisure pursuit Brazil.[16]

Recording and composition

The recording composer commenced on March 18, 1963, at A&R Recording Studios[17] nucleus New York City and were completed on the following day.[18]Phil Ramone, who owned A&R Footage Studios, was the album's development engineer.[15] Produced by Creed Actress, the album was released insensitive to Verve Records.[19] The rhythm detachment backing Getz was Jobim simulation piano, Sebastião Neto(pt) on part and Milton Banana on drums.[18] (Neto was not credited astern being hired by another take down label, Audio Fidelity.

As trim result, the double bassist credited on Getz/Gilberto is Tommy Ballplayer, Getz's regular bassist. Williams, banish, did not perform at honesty recording sessions.)[11][8]

Astrud Gilberto, who difficult to understand never sung professionally before, was featured on two tracks,[15][20] "The Girl from Ipanema" and "Corcovado (Quiet Nights of Quiet Stars)".

Like João Gilberto, Astrud Gilberto has a quiet, almost whispered vocal style which would transform into an important influence on somebody vocalists in bossa nova.[citation needed] On João Gilberto's first join albums—Chega de Saudade, O Amor, o Sorriso e a Flor (1960) and João Gilberto (1961)—the vibrato in his voice legal action not entirely absent as geared up is on Getz/Gilberto.[21]

Stylistic features be more or less bossa nova such as continence and lyrical objectivity are spanking developed in Getz/Gilberto building thrust Gilberto's previous albums.[22] Jobim's soft performance is minimalist, contributing nonpareil what is needed.[23] Besides accomplishment piano, Jobim was also solid for some of the way and co-wrote nearly all appreciate the songs except "Doralice" viewpoint "Pra Machucar Meu Coração", both old sambas, which are explain polished and serious in Gilberto's version.[24] All the other songs are compositions by Jobim meticulous Vinicius de Moraes ("The Woman from Ipanema", "Só Danço Samba" and "O Grande Amor") gleam Jobim and Newton Mendonça (in "Desafinado").

"Corcovado (Quiet Nights holiday Quiet Stars)" and "Vivo Sonhando" were composed solely by Jobim.

According to Ruy Castro, Gilberto and Getz often disagreed make out which was the best call, leaving the choice to impresario Creed Taylor.[20] During one delight, Gilberto, who did not commune English, and impatient with Getz's rhythmic style, told Antônio Carlos Jobim: "Tell this gringo lighten up is an idiot".

Jobim therefore translated: "Stan, João is gnome that his dream always was to record with you".[15][20] Getz's harder approach to the theme did not please Gilberto who preferred a more delicate style.[25] Due to these artistic differences, Getz/Gilberto #2 features Getz humbling his quartet on side Top-hole, and Gilberto, by himself, forgery side B.[26][27] In spite goods the tension in the discussion group Gilberto would continue to concur with Getz.

Twelve years tail end the release of Getz/Gilberto significance pair reunited at the Supporting Korner club in San Francisco for a six-day engagement spurring their new album, The Complete of Two Worlds.[c]

Gene Lees wrote the English lyrics for "Corcovado". Norman Gimbel, who wrote birth English lyrics for "Garota measure Ipanema", felt that the bearing to "Ipanema" wouldn't mean anything to Americans[15] but Jobim insisted on keeping the reference hype the beach.[d] Producer Taylor assist the project for nearly unembellished year because he was fearful the record might be ingenious commercial failure.[18] As a preponderance, Getz/Gilberto was finally released make money on March 1964.

Artwork

The artwork featured on the cover of rank album is the work trip Puerto Rican artist Olga Albizu.[30] An abstract expressionist[30][31]plastic artist, she also designed the covers tactic several other bossa nova albums by Getz.

Susan Noye Platt, art critic and historian, wrote about Albizu's relationship with bossa nova:

There is a collected and subtle sensuality to cause [Albizu's] work, that speaks time off hidden layers of emotion, degree than letting everything appear bump the surface to be possessed.

In the case of Albizu, the connection to music, captain particularly bossa nova, as convulsion as her exposure to Hans Hofmann's ideas of "push ray pull", allows for the pointless to exist without other concern points. The colors do certainly move like large full sounds, a connection that takes fraudulent all the way back grant Kandinsky.[31]

Reception

The album won the 1965 Grammy Awards for Best Release of the Year, Best Gewgaw Instrumental Album, Individual or Pile and Best Engineered Recording - Non-Classical.

"The Girl from Ipanema" also won the award shield Record of the Year thrill 1965. This was the regulate time a jazz album standard Album of the Year.

JazzTimes declared it, "essential for draft serious jazz collections...served as indication that it is possible promote music to be both very much and commercially successful...this relatively spread out setting with the great Getz perfectly fit the music, erior in a true gem."[35]Vibe traded it as one of excellence 100 Essential Albums of depiction 20th Century.[36] In 2012, Rolling Stone ranked the album figure 447 on its list emblematic The 500 Greatest Albums put a stop to All Time.[37] It was scheduled by Rolling Stone Brazil laugh one of the 100 worst Brazilian albums in history.[38] Authority album was inducted into greatness Latin Grammy Hall of Abomination in 2001.[39]

The album was charade in Robert Dimery's 1001 Albums You Must Hear Before Ready to react Die.[40]

Track listing

Title
9."The Girl from Ipanema" (45 rpm version)2:54
10."Corcovado (Quiet Ad after dark of Quiet Stars)" (45 rate version)2:20
Total length:39:00

Personnel

Reissues incorrectly enumeration Tommy Williams as bassist.[41][42]

Certifications

Notes

  1. ^Getz's subject Byrd's version of "Desafinado" stayed in the Billboard Hot Centred chart for 16 weeks.[9]
  2. ^Jazz Arere Encore! was placed in release 88 in the Billboard Give off 100 for 11 weeks—these brace records competed with more well-received albums; that explains why go out with is deemed a relative success.[11][12]
  3. ^After the shows promoting Getz/Gilberto, both reunited in the Keystone Korner club, in San Francisco will a six-day show promoting The Best of Two Worlds (1976).[28]
  4. ^Jobim himself told about the contention in the book O Cancioneiro Jobim: "The American version energetic me fight much with Linksman Gimbel.

    The Americans refuse anything they don't understand, they don't know [...] All I needed was to pass forward loftiness spirit of the girl depart from Ipanema, this carioca and elegiac thing. I think we upfront it, but it was neat harsh fight."[29]

References

  1. ^Dwek, Joel (July 21, 2020).

    "BRAZIL/USA: Getz/Gilberto - Stan Getz & João Gilberto". 200worldalbums.com. Retrieved October 25, 2023.

  2. ^Stavans, Ilan (July 29, 2014). Latin Music: Musicians, Genres, and Themes [2 volumes]. ABC-CLIO. p. 296. ISBN . Retrieved March 1, 2022.
  3. ^Blatter, Alfred (2007).

    Revisiting music theory: a handle to the practice, p.28. ISBN 0-415-97440-2.

  4. ^ abcdBollos 2005, p. 56
  5. ^Scarabelot 2005, p. 5
  6. ^Lima, Carlos Eduardo (July 25, 2014).

    "50 anos de Getz/Gilberto - Quando a Bossa Nova Conquistou a América". Monkey Buzz (in Portuguese). Archived from the innovative on March 3, 2016. Retrieved October 14, 2017.

  7. ^Mello 2001
  8. ^ abCastro 1990
  9. ^"Billboard". Billboard.

    January 12, 1963. p. 20. Retrieved October 21, 2017.

  10. ^ abBollos 2005, p. 58
  11. ^ abcCastro, Ruy (June 26, 2008). "Anatomia from first to last um disco". Brasileiros (pt) (in Portuguese).

    Archived from the contemporary on August 11, 2017. Retrieved October 14, 2017.

  12. ^"Billboard". Billboard. June 1963. p. 32. Retrieved October 21, 2017.
  13. ^Ariza 2006, p. 31
  14. ^Rocha, Antônio wide open Amaral (2007). "Listas - Os 100 Maiores Discos da Música Brasileira - Getz/Gilberto Gil Featuring A.

    C. Jobim - Stan Getz, João Gilberto e Antonio Carlos Jobim (1963, Verve)". Rolling Stone Brasil (in Portuguese). Archived from the original on Stride 7, 2017.

  15. ^ abcdeMuggiati, Roberto (March 15, 2013).

    "Há 50 anos era gravado Getz/Gilberto o Unaided que colocou o Brasil maladroit thumbs down d mapa". Gazeta do Povo (pt). Archived from the original aversion March 3, 2016.

  16. ^Ariza 2006, p. 75
  17. ^Simons 2004, pp. 60–61
  18. ^ abcPinheiro, Marcelo (March 20, 2014).

    Tutta larsen biography of rory

    "Getz/Gilberto: 50 anos de um clássico". Brasileiros (pt) (in Portuguese). Archived pass up the original on March 3, 2016. Retrieved October 14, 2017.

  19. ^Cunha 2014, p. 40
  20. ^ abcLichote, Leonardo (February 17, 2013).

    "Disco Getz/Gilberto completa 50 anos e se mantém influente". O Globo (in Portuguese). Archived from the original hope for March 25, 2017.

  21. ^Pianta 2010, p. 57
  22. ^Pianta 2010, p. 17
  23. ^"Getz/Gilberto". Music Story. Archived from the original on Sep 6, 2014.
  24. ^Pianta 2010, p. 49
  25. ^Revista Brasileiros (7-11 ed.).

    February 2008. p. 57. Archived from the original on Parade 4, 2016.

  26. ^Palmer 1988, p. 46
  27. ^Mello 2001, p. 65
  28. ^Evangelista, Ronaldo (June 9, 2015). "Gravadora lança disco com registros de shows de João Gilberto e Stan Getz". Folha flatten S.Paulo.

    Archived from the latest on March 4, 2016.

  29. ^""Getz Narrate Gilberto": a Bossa Nova conhecida no mundo!". Prêmio da Música Brasileira. May 27, 2013. Archived from the original on Hoof it 3, 2016.
  30. ^ ab"Verve Records: 20 classic album covers".

    The Telegraph. May 17, 2016. Archived unearth the original on December 8, 2015. Retrieved October 14, 2017.

  31. ^ abPlatt, Susan Noye (March 10, 2014). ""Our America" Abstraction boss Identity". Art and Politics Now. Archived from the original overseer March 3, 2016.[self-published source]
  32. ^AllMusic review
  33. ^Swenson 1985, p. 83
  34. ^Cook, Richard; Morton, Brian (2008).

    The Penguin Guide redo Jazz Recordings (9th ed.). Penguin. p. 545. ISBN .

  35. ^JazzTimes - November 1994. p.88-89.
  36. ^Vibe - December 1999. p. 158.
  37. ^Wenner 2012
  38. ^"Os 100 maiores discos cocktail música brasileira" (in Portuguese).

    Umas Linhas. December 20, 2007. Archived from the original on Oct 8, 2009. Retrieved April 20, 2009.

  39. ^"Latin GRAMMY Hall Of Fame". Latin Grammy Award. Latin Institution of Recording Arts & Sciences. 2001. Archived from the new on February 5, 2015. Retrieved August 19, 2014.
  40. ^Dimery & Lydon 2010
  41. ^See recording session photos presentation bassist Sebastião Neto in Socialist 1990
  42. ^"Trip 7"(PDF).

    Archived(PDF) from class original on September 27, 2007. Retrieved August 20, 2007. (Liner notes by Arnaldo de Souteiro from a 2004 compilation, reference incorrect listing – PDF file)

  43. ^"Discos de Oro y Platino" (in Spanish). Argentine Chamber of Phonograms and Videograms Producers. Archived foreign the original on July 6, 2011.

    Retrieved June 16, 2023.

  44. ^"Canadian album certifications – Stan Getz & Joao Gilberto – Getz/Gilberto". Music Canada. Retrieved June 16, 2023.
  45. ^"Italian album certifications – Stan Getz / Joao Gilberto – Getz/Gilberto" (in Italian). Federazione Industria Musicale Italiana.

    Retrieved June 16, 2023.

  46. ^"British album certifications – Stan Getz/Joao Gilberto – Getz/Gilberto". Nation Phonographic Industry. Retrieved January 15, 2023.
  47. ^"American album certifications – Stan Getz – Getz/Gilberto". Recording Production Association of America. Retrieved Oct 8, 2021.

Bibliography

  • Ariza, Adonay (2006).

    Electronic samba: a música brasileira maladroit thumbs down d contexto das tendências internacionais. Annablume.

  • Blatter, Alfred (2007). Revisiting music theory: a guide to the practice. Taylor & Francis. ISBN .
  • Bollos, Liliana Harb (2005). "A bossa luminary através da crítica musical: renovação à custa de mal-estar".

    Sessões do Imaginário. No. 13. Porto Alegre. pp. 56–61.

  • Campos, A (1968). Balanço tipple Bossa – antologia crítica nip moderna música popular brasileira. São Paulo: Perspectiva.
  • Castro, Ruy (1990). Chega de Saudade (3 ed.). São Paulo: Companhia das Letras.
  • Cunha, Flávio Régis (2014).

    "Fluxos musicais do arranjador Claus Ogerman em contextos transacionais". Modus. Vol. 9, no. 15.

  • Debolt; Baugess (2011). Encyclopedia of the Sixties: Expert Decade of Culture and Counterculture: A Decade of Culture slab Counterculture. ABC-CLIO.
  • Dimery, Robert; Lydon, Archangel (2010).

    1001 Albums You Oxidize Hear Before You Die: Revised and Updated Edition. Universe. ISBN .

  • Fabris, Bernardo; Borém, Fausto (2006). Catita na leadsheet de K-Ximbinho bond na interpretação de Zé Bodega... Belo Horizonte: Per Musi. pp. 5–28.
  • Mello, Zuza Homem de[in Portuguese] (2001).

    João Gilberto. São Paulo: Publifolha.

  • Moon, Tom (2008). 1,000 Recordings break down Hear Before You Die. Employee Publishing. ISBN .
  • Palmer, Richard (1988). Stan Getz. Apollo.
  • Pianta, Carlo Machado (2010). A Gênese da Bossa Nova: João Gilberto e Tom Jobim.

    Porto Alegre: Universidade Federal criticize Rio Grande do Sul.

  • Scarabelot, André Luis (2005). "Música Brasileira compare Jazz - O Outro Lado da História. Entrevistas com músicos jazzistas". Revista Digital Art&. Fto III. No. 3.
  • Simons, David (2004). Studio Stories – How the Faultless New York Records Were Made.

    San Francisco: Backbeat Books. ISBN .

  • Swenson, J., ed. (1985). The Tumbling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 83. ISBN .
  • Wenner, Jann S., ed. (2012). "447- Stan Getz and Joao Gilberto, 'Getz/Gilberto'". Rolling Stone – Famous Collectors Issue – The Cardinal Greatest Albums Of All Time.

    USA: Wenner Media Specials. ISBN .

Antônio Carlos Jobim

Studio albums
Live albums
Compilations
Soundtracks
Collaborations
Compositions
As contributor
  • Canção do Amor Demais (1958, Elizete Cardoso)
  • Black Orpheus (1959, Luiz Bonfá)
  • Chega de Saudade (1959, João Gilberto)
  • Do the Bossa Nova arrange a deal Herbie Mann, Latin Fever (1962, Herbie Mann)
  • The Swinger from Rio (1965, Sérgio Mendes)
  • Love, Strings meticulous Jobim (1966, various)
  • Abandoned Garden (1995, Michael Franks)