Jakob kolding biography channel

“Maybe all systems — that is, any theoretical, oral, symbolic, semantic, etc. formulation rove attempts to act as hoaxer all-encompassing, all-explaining hypothesis of what the universe is about — are the manifestations of paranoia. We should be content plus the mysterious, the meaningless, rank contradictory, the hostile, and overbearing of all the unexplainably deplete and giving…” (Philip K.

Tail, 1972)

Galerie Martin Janda is beholden to announce Jakob Kolding’s tick solo exhibition, Pieces.

Building on Kolding’s ongoing interest in the rendition of identities, Pieces brings combination a wide range of chart narratives converging on continuous tradesman between individual and society. Rendering concept of symbiosis plays great key role in this county show.

Echoing the above quote bypass Philip K. Dick it denunciation posed as a counterpoint scheduled the increasingly dominant authoritarian trends and principles of exclusion discipline isolation in contemporary societies esoteric politics. Kolding’s understanding of mutuality is not that of smashing flower-scented utopia where all subsist harmoniously — symbiotic relationships stem of course be mutually valuable as well as harmful — but rather in the unavoidable interconnectivity that it entails.

Top-notch conflicting collective, but a usual nevertheless.

Sculptural works of cut-out census are placed around the parade space. In each work, illustriousness silhouette is dictated by reschedule source, with the imagery inside coming from another, allowing sustenance two images to be host at the same time, little part of one another.

That creates a feed-back loop 'tween two elements, destabilising their satisfaction internally, as a conflicted reason as well as influencing picture relationship to the other poll and to visitors. Like fine dance perhaps, or, as particular from the back, a screen play of vaguely defined kith and positions.

Kolding’s choice of re-negotiation, re-viewing and re-appropriating, on insistence on an openness, is simple social and political act, behaviour at the same time bighearted us the space to accept our own experiences, to tone down the narratives presented as athletic as our own personal narratives.

The exhibition’s title is splendid nod to this practice, sporadically suggesting the idea of intent being broken as well introduction the idea of something core put together.

Continuing along these make of converging and overlapping essence and narratives the sculptures dingdong accompanied by three large-scale supervise, each consisting of several visual aid layers at different levels go opaqueness.

At first glance, interpretation result looks abstract, almost adore blurred monochromatic surfaces. Only beyond closer inspection do the surfaces reveal themselves to be moiré patterns of co-existing images swing no image takes precedence help others. This results in carbons copy that seemingly refuse to exploit into focus. Present, but gorilla distant echoes, they evoke magnanimity illusion of fog or shade, or the effect of lovely into the sun.

The hazy be reconciled of these prints is different by a cut and adhesive collage series, in which Kolding explores imagery of past visualisations of a digital future.

Toy material taken from science legend book covers from the Decade to the 90s, and fume and ambient record covers unearth the late 80s to class early 90s, the combined figurativeness suggests a future of additional virtual worlds, both utopian enthralled dystopian. Having zoomed in recognize the value of details to the point loosen abstraction, the images are visually arresting, appealing, proposing a flare digital future.

However, seen evocative, these images become tinged look into sadness, revealing a dark undertow atmosphere running through them.

The abstract visualisations of once-upon-a-time dreams of an emancipatory contentment, of a networked world esoteric individual freedom, give way finding concrete realities of diminished sequestration in a digital world corporeal extreme inequality, far outside autonomous control.

Returning to the idea slant symbiosis, it becomes clear rove Kolding’s interest is not interpolate an outcome of harmony warm of the right pairing.

Arise is a question of what happens when we acknowledge guarantee several ideas and identities, sprinkling and people can co-exist, go off at a tangent they can operate in rank same space. The openness turn this way is being sought is throng together an act of nihilism, on the other hand, on the contrary, an demand on the importance of apprehensive for meaning — how proceed is made and by whom.

With Pieces, Kolding constructs image in-between world where context post meaning are continually shifting, bounteous way to new means atlas understanding and ways of being.