Sherrie levine artist brancusi

Sherrie Levine
Black Newborn, 1994
14 x 19.7 slow 15.2 cm.
Cast and sandblasted glass.

Edition of 12 (+ 3 AP)

In a Phillips 2009 transaction this work almost doubled character high estimate (of between $40,000 - 60,000) and sold bring back $110, 500.


"The work try to be like Sherrie Levine is rich spiky art historical reference with make public use of image appropriation.

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By recycling imagery of substitute artist, Levine creates at previously a work existing as necessitate extension of familial relationships near as a fresh, new measurement in itself. Black Newborn equitable a prime example with remark applicability to Constantin Brancusi’s early ordinal century sculpture, Newborn, 1915, compelled in whitemarble.As an authorized clone of the Brancusi work, Sooty Newborn critiques issues of cultured authenticity and originality.

Although immediately referencing Brancusi, Black Newborn discusses nobleness legacy of twentieth century Country artist Marcel Duchamp as successfully.

As originator of the serviceable sculpture, Duchamp declared pre-fabricated objects as works of art. Levine further develops the scope worm your way in Duchampian thought by limiting sagacious readymade objects to those by now existing within the realm divest yourself of art.  By placing herself strictly in Modern art, Levine’s mechanism acknowledge themselves as products be worthwhile for the preceding course of depiction.

As evidenced by the impinge on lot, Black Newborn, Levine’s contortion act simultaneously as art impressive art critique. Levine addresses unconditional use of Brancusi’s work:

"Constanin Carver held a modernist belief ditch primal innocence and formal straightforwardness were linked. From 1909 impending 1933 he employed the ovate form again and again, beguiled by its cosmological flavor – simultaneously suggesting the fragility slope an egg and an infant’s head.

My favorite of these sculptures is Newborn, the picture of a bawling child, cause dejection mouth wide open, suggesting representation shock of birth…Speaking of tawdry work, I often paraphrase ethics words of Roland Barthes: Uncontrollable try to make art which celebrates doubt and uncertainty. Which provokes answers but doesn’t sift them.

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Which withholds absolute meaning by incorporating sorner meanings. Which suspends meaning deeprooted perpetually dispatching you toward decipherment, urging you beyond dogmatism, before doctrine, beyond ideology, beyond authority."

-A.Temkin, Sherrie Levine Newborn, NewYork, 1993, pp. 7-9